http://www.newyorker.com/humor/issuecartoons/2010/12/20/cartoons_20101213?printable=true any good ones in there?
Malkin to be back Tuesday, nice.
24/7 in 2 days, son.
UFC downloaded, I might watch a bit tonight in 10 minutes then delete.
Daniel Sedin with an 8 game point streak.
Ovie takes a shot to the knee and doesn't return… oooooooh, hahaha he's uot for the winter classic? I hope not. I wanna see him take part in the loss, ha.
Squirrel Hill native finds nook in HBO '24/7'
Sunday, December 12, 2010
By Maria Sciullo, Pittsburgh Post-Gazette
Peter Diana/Post-Gazette
Bentley Weiner, originally from Squirrel Hill, is the producer for the HBO Winter Classic '24/7' show.
By the time Home Box Office premieres "24/7: Penguins/Capitals: Road to the NHL Winter Classic" this week, Bentley Weiner no doubt will be exhausted.
But euphoric. Euphorically exhausted.
"I really do love it," said Ms. Weiner, the Squirrel Hill native who is one of the coordinating producers for the HBO sports documentary series. "It's hard and it's taxing, and I really don't sleep. But I love it."
The immediacy of the show's schedule is both its charm and, for those working on it, its headache.
Ms. Weiner, a 1992 graduate of Shady Side Academy, has worked on other HBO series, such as "Real Sports with Bryant Gumbel," "Inside the NFL" and "Costas Now."
"She is one of the most creative, conscientious and dedicated producers I've ever worked with," said Rick Bernstein, vice president of HBO Sports. "She may produce '24/7' but I can assure you she works 25/8 between now and January."
Indeed, Ms. Weiner was in town the week of Nov. 15 to conduct on-air interviews and coordinate future shoots. She was on a so-called vacation at her parents' house the following week at Thanksgiving, but estimates her time spent was "85 percent work, 15 percent visit."
The day after Thanksgiving, she and her father, David, were flipping back and forth between the Penguins game and the Pitt-West Virginia Backyard Brawl.
David Weiner, an attorney, played soccer at the University of Pennsylvania. He imparted a love of sports onto his and wife Barbara's only child, and Ms. Weiner thrived on playing fields and on the tennis court.
At Shady Side Academy, she was MVP of her lacrosse and field hockey team, setting school scoring records in both. At Trinity College in Hartford, Conn., she was a history major who played two years of varsity lacrosse and spent more time on internships in the sports field.
After working as a production assistant with Atlanta Olympic Broadcasting for the 1996 Summer Games, she moved to New York City with her three best friends from college.
"I think the job is a good mix for me. It's sports, but entertainment."
Maria Sciullo: msciullo@post-gazette.com or 412-263-1478.
Dream Jobs You've Never Heard Of: Parabolic Flight Crew
- By Jason Cranford Teague mailto:me@jasonspeaking.com
mailto:me@jasonspeaking.com
- December 10, 2010 |
- 8:30 am |
- Categories: People, Projects and Activities, Science and Education
- In Douglas Adam's book Life, The Universe, and Everything, he shares the secret of flying: it's the art of learning how to "throw yourself at the ground and miss." Tim Bailey teaches people how to do just that: throw themselves at the ground (in an airplane) and miss in order to fly.
http://www.wired.com/geekdad/2010/12/dream-jobs-youve-never-heard-of-parabolic-flight-crew/updsidedown2-2/http://www.wired.com/geekdad/2010/12/dream-jobs-youve-never-heard-of-parabolic-flight-crew/updsidedown2-2/
Tim Bailey — Parabolic Expert
Professionally speaking, Tim wears a lot of hats. Although his LinkedIn profile gives his job title as simply "Catalyst", it then lists 10 separate jobs under "Current". To name just a few, he works on SpaceVidcast, Space Task Force, Yuri's Night (The World Space Party), and is the co-founder and Chief Operating Office of Sky Fire Lab—an independent organization promoting space travel in the media. See a theme yet? But if you scroll down to the bottom of his lengthy list of job titles, you will see that he is also a member of the Parabolic Flight Crew for the ZERO-G Corporation. What's that you ask? parabolic what?
Tim's job is the closest thing there is to being an astronaut without actually going into space. He spends his days assisting and training people in aircraft flights that simulate a microgravity environment—effectively he's a flight attendant teaching people how to fly—and he is one of only nine people on the planet qualified to do this.
Tim has performed over 150 such flights, each with multiple parabolas—where the craft goes up and down at a steep angles to create a "weightless" free-fall environment inside—equating to over 24 hours of his life that Tim has spent unencumbered by the Earthly bonds of gravity. This has led to Tim's unique ability to, as he puts it, "execute some fairly bad-ass flips in any axis [x, y, and z]."
In addition to being an evangelist and trainer for manned space travel, though, Tim is also a husband and recent father. Judging by his recent Twitter posts, he spends a lot of time with his family going between Kennedy Space Center and Disney World—a true geek dad's paradise!
I recently chatted with Tim about his job, his work advocating for manned space travel, and his own future in space.
Jason Cranford Teague: Parabolic Expert is not the most common title I've seen on a business card. At what point in your life did you think to yourself "That looks like the career for me"?
Tim Bailey: Like so many wonderful things in life, this wasn't something I planned for specifically. It does fall nicely in line with my plans to go to space! I started out as an eager young intern for Zero Gravity Corp during their final push to get an aircraft operational. When the FAA asked our cargo airline partner, Amerijet International, to provide Flight Attendants as the primary safety oversight during the parabolic flights, I jumped at the opportunity to attend the class.
JCT: What was the qualification process like?
TB: We went through two full weeks of 8-hour days in class learning everything about aircraft safety equipment and emergency procedures before we could be certified to fly. We have constant training and evaluation, just like crews on any other airline!
I was eventually hired to coordinate the research and filming customers that were interested in flying. My job was to ensure that we complied with the FAA regulations while still getting our customers the data or footage they wanted. I've since become an independent consultant for Zero G and a continuing part-time parabolic Flight Attendant for Amerijet.
JCT: IT seems like doing this would be a physically demanding job. How do you prepare for flights?
TB: The flights themselves help keep me in shape! The weightless portion is very aerobic while the 1.8-g pull out is more akin to weight lifting. Just keeping my head up is a workout! On the ground, I run after our 1-year-old a LOT. I do stretch and a bit of yoga to stay loose and limber. After a day of parabolas and the associated 1.8-g pull-outs, my whole body can be tensed. It is important to relax all those muscles and be ready to fly again.
JCT: Is Zero G mostly for fun or does anyone train for spaceflight using it?
TB: Doing a weightless flight is the way to train for space. Space agencies around the world have been using parabolic flight to prepare space travelers since the 60's. I've even seen video of Yuri Gagarin on a parabolic flight before his historic first space mission!
I've been on multiple flights with future space travelers. I flew with Anousheh Ansari before her spaceflight as well as Richard Garriott and Charles Simyoni. I know that some of the Virgin Galactic "Founders" with tickets to space have also come to get acquainted with weightlessness. While they are also having fun, these folks always seem to be looking ahead at what they need to do to be ready to enjoy their spaceflight experience.
JCT: You have flown with a lot of famous people. I remember seeing the Mythbusters on a flight in one episode and realized you must be around there someplace. Who are some of the people you have flown with? Who took to weightlessness like a feather and who took to weightlessness like a rock?
TB: There have been a lot of notable Flyers on Zero G over the years. I've seen the cast and crew of countless tv shows including The Apprentice, The Biggest Loser, The Rebel Billionaire, and of course MythBusters. Jamie and Adam were incredibly fun and professional in debunking the moon hoax myth. The "celebrities" are usually really gracious and excited to be on the plane. The film crews behind the camera are working just as hard and will risk making themselves sick to get the shots just right. Those folks are my heroes.The crews for the 7Up and MasterCard commercials were really troopers and gave 110%.
I wasn't on the plane with Stephen Hawking, but I saw all of the preparations for his flight. Hawking really took to weightlessness like a feather! He exceeded everyone's expectations. Famed SpaceShipOne designer Burt Rutan flew back in 2004. SpaceX CEO Elon Musk flew just a few weeks ago with Avatar director Jim Cameron. All of them came away smiling. I think they also came away with a better understanding of the physics of space travel.
Hands down the best people to watch on G FORCE ONE are the astronauts. They move with an ease and grace that can only come from extended time in space. Buzz Aldrin was all smiles when he took his first steps in lunar gravity after decades on Earth.
Shuttle astronaut Sam Durrance (also my former boss) did tricks with the Flyers I've never seen before. Private astronaut Richard Garriott flew his mother with him to practice weightless painting techniques. All of them are really amazing people.
JCT: How old will Daughter need to be before you take her on her first parabolic flight?
TB: I'm already preparing my daughter to be weightless by holding her upside-down and flipping her around when we're playing. So far she loves it! Kids as young as 8 can take part in the Zero G Experience and, like everyone else, some enjoy it more than others. I'll see how she does with other experiences like swimming underwater and riding roller coasters first–experiences that give that "out of control" feeling. For some kids, it can bit a little scary. Also, I have to save up the $5k for the flight: I don't get any freebies!
JCT: Has anyone ever wanted to a take Nirvana "Whatever" cover style photo, but in Zero G?
http://www.wired.com/geekdad/2010/12/dream-jobs-youve-never-heard-of-parabolic-flight-crew/zg-55042/http://www.wired.com/geekdad/2010/12/dream-jobs-youve-never-heard-of-parabolic-flight-crew/zg-55042/
Tim and his Wife Kissing in zero g.
TB: I'm sure there are plenty of folks that would love to go "au naturale" on the plane, but none have been allowed to follow through on that wish! I've heard of some more risque activity on the Russian IL-76 parabolic aircraft, including nude interpretive dancing. The closest I've seen on–board the plane is weightless kissing. It is a LOT of fun (I know!) and a great reason to bring someone you love up with you on a parabolic flight. We've even had some engagements and a wedding on the plane! But no honeymoons.
JCT: You've done a lot to promote manned space flight. Do you think our children will go into space or will we keep sending robot emissaries?
TB: I think we'll keep sending our most advanced robots out into the cosmos to learn where we should focus our attention. That type of planning just makes good sense when reaching out into new frontiers. After the robots, we will be sending people out into the solar system. I see the excitement generated by Virgin Galactic (and other private space exploration companies) and know that we're going to see the commercial space industry keep expanding. At some point in the next few decades, going to space will be similar to taking an exotic vacation on Earth. If our kids save up, they'll have no problems getting to space. I know I'm going to space. My wife and I plan to retire on the moon. No, really…
JCT: Or Mars? Would you be one of those intrepid colonists NASA announced they may be looking for to send on a one way trip to the Red Planet?
TB: Over my life, I've often fantasized about setting off for Mars with my family and a rag-tag group of brilliant colonists, all Kim Stanley Robinson style, never to return to the green hills of Earth. Lately, I've realized that I wouldn't be happy living a true frontier life in such a harsh environment. If I'm not happy with cold feet or living in a tent for a month, I'm not going to do very well on Mars. I also like being around people and meeting new friends. That's not likely to happen out in space.
I understand and respect the explorers that are willing to boldly set out for Mars with no intention to return. Indeed, that may be the only way to really make any kind of permanent settlement work. I've come to realize that there is no place in the universe as spectacularly beautiful or amazingly vibrant as our home planet. I'd like to be able to see Earth and come back for a visit every few years.
JCT: We worked together on Yuri's Night for a few years. I loved working with the group, because it seemed like the first holiday for Geeks! How's the 2011 planning going for celebrating the 50th anniversary of the first manned space flight?
TB: Yuri's Night has recently incorporated as an independent non-profit organization after spending our first 10 years as a project of the Space Generation Advisory Council, an international youth-led organization that advises the UN on space topics. We've gotten a new Board of Directors and expanded our Global Executive Team to help us initiate more events worldwide and better support event organizers. Every event is independently organized, making each one a unique celebration of space exploration. While we always have big ideas, it is really the individual event organizers that make Yuri's Night a success. Our goal is to have 1,000 events in 100 countries for 2011!
The Global Executive Team has some neat projects in the works that will help to grab a bit of media attention (I can't reveal them yet!). We're working hard to encourage more small, local gatherings that connect people with art, science, music, and exploration in new and interesting ways. Fifty years ago, a Soviet test pilot was the first human to look back and marvel at the beauty and fragility of our home planet from space. Since then, we've had artists, engineers, musicians, scientists, mothers, golfers, and, yes, even a video game designer orbiting around our planet. If there's one thing that we want people to celebrate for Yuri's Night 2011, it is that we are all connected and all important as fellow travelers on this tiny blue marble we call Earth.
Note: Anyone can start their own Yuri's Night party, celebrating 50 years of manned space flight on 12 April 2011. Check out YurisNight.net for details.
Jeffrey starts fast but role unsettled
New center showed varied skills in AHL
Monday, December 13, 2010
By Dave Molinari, Pittsburgh Post-Gazette
Rick Stewart/Getty Images
Dustin Jeffrey, left, is congratulated by Ben Lovejoy and Craig Adams after his goal in the first period against the Buffalo Sabres Saturday in Buffalo, N.Y.
Mario Lemieux kick-started his Hall of Fame career by scoring on his first NHL shot. On his first NHL shift.
Well, Dustin Jeffrey didn't duplicate that feat in the Penguins' 5-2 victory Saturday night at Buffalo, N.Y..
In some ways, he didn't really come close.
For starters, it was Jeffrey's 16th game in the NHL, although it was his first in 2010-11.
And he didn't get a goal until his second shift.
What's more, unlike Lemieux -- who beat Boston goalie Pete Peeters cleanly on a breakaway in 1984 -- Jeffrey didn't actually direct the puck past Ryan Miller of the Sabres with his stick. He confirmed after the game that Ben Lovejoy's pass struck his skate, not his stick.
So OK, Jeffrey's goal at 6:43 of the first period at HSBC Arena won't claim a prominent place in franchise lore, or become the stuff of hockey legend.
It was an awfully nice way to get his latest trip to the NHL started, though.
The Penguins summoned Jeffrey Friday from their American Hockey League affiliate in Wilkes-Barre. If his work against the Sabres is taken at face value, there was no need to buy him a round-trip ticket.
Although Jeffrey logged just 10 minutes of ice time and played primarily between Mike Rupp and Craig Adams on the fourth line, he came out of the Sabres game with a pretty solid personal linescore: One goal, one assist, one giveaway, 3 for 3 on faceoffs and a plus-minus rating of plus-2.
Jeffrey's assist capped a sequence similar to the one that led to his goal. With the Penguins protecting a 3-2 lead and a little more than three minutes left in regulation, Jeffrey threw the puck toward the Buffalo net, and Rupp jammed it between Miller's legs.
That goal put the exclamation point on an excellent evening for Jeffrey's unit.
"It was a big game from that line," coach Dan Bylsma said.
Effective as Jeffrey was in his role Saturday, it's not one he figures to fill over the long term.
He is skilled enough to have been tied for the AHL scoring lead when he was promoted, but defensively responsible enough that he used to be matched against opponents' top lines in Wilkes-Barre.
"For what he gets on offense, he plays really hard in his own end," said center Mark Letestu, a former linemate in Wilkes-Barre. "He's good on faceoffs, he's good on the power play. He's a really complete player at that level."
The Penguins' decision-makers believe he'll be one in the NHL, too. The issue is whether eventually he will best be cast as a top-six forward or a third-liner.
Assistant coach Todd Reirden, who coached Jeffrey in Wilkes-Barre, describes him as "a solid two-way guy whose hockey sense is what really differentiates him from some other players."
He added that, "someone who puts up that type of numbers in the American League, you have to give him an opportunity to do things in an offensive role here, as well," but still sees Jeffrey "at this point, probably [as] more of a well-rounded third-line guy."
Many of Jeffrey's talents were evident during the Sabres game. It might take a bit longer to truly appreciate his hockey IQ, but many who have monitored his development regard that as his finest asset.
"He's a nice player and he's smart," assistant coach Tony Granato said. "Understands the game. He's very coachable."
Those qualities have helped Jeffrey to be an effective penalty-killer and defensive forward for years. The offensive talents that made it possible for him to put up 13 goals and 17 assists in 25 games with Wilkes-Barre really weren't apparent until last season.
"I think it kind of carried over from last year," Jeffrey said. "When I played on a line with Letestu, we had a lot of success."
That partnership clearly helped to diversify Jeffrey's game. At the same time, it was Letestu's sensational showing during training camp that doomed Jeffrey to open this season in the minors.
Jeffrey didn't mope about being sent down, though, and was putting together an offensive season with few, if any, equals in Wilkes-Barre history when he was summoned to the NHL.
"If he would have stayed there, he would have broken some franchise records," Letestu said. "That's for certain."
A lot more certain, he might have added, than it is that Jeffrey ever will be back in the AHL.
On The Road With Cr-48: The Chrome Notebook Is Both Shiny And Tarnished
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- MG Siegler
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Every piece of technology has both good and bad attributes. Nothing is perfect. Not even the iPhone. (Well, at least not until that AT&T exclusivity ends.) But until three days ago, I had never used a product with attributes that are both insanely awesome and shockingly awful at the same time. Welcome into the world, Cr-48.
Now, Google has made it very clear that they don't intend to release this product as it stands. As such, they've more or less asked those they've sent it to not to review it as a completed product. But it's pretty much impossible to avoid talking about the hardware here because for most of us, it is the first and only gateway we've had into Chrome OS. Plus, there's a lot of interest in this particular device among our readers, so I'm going to talk about it.
Simply put: the hardware is pretty bad. Actually, maybe not so much bad, as annoying as all hell. But the only reason it's so annoying is because Chrome OS, even in its very early, fairly rough stage, is that good. Well, potentially that good.
While Jason wrote up his initial thoughts after a day with the device, I've been using it as my primary machine for just about three days now. Also, I likely have a different perspective as I'm currently traveling — something which a Chrome notebook should be perfect for.
The Design
Initially, when I took it out of the box, I sort of wanted to laugh at the Cr-48. Jason compared its look to that of one of the old 12-inch PowerBook G4s. But actually, I think it's closer to a combination of an old 12-inch iBook and one of the previous generation MacBooks — the one that came in black. In fact, when you open it up and start typing on it, it feels very similar to that MacBook.
Of course, that MacBook is also a few years old already. And when compared to the new MacBook Air, this thing looks like a bloated dog. One covered in some kind of rubber blanket. The fact that it has a VGA port, an ugly side grill for the fan, and yet only one USB port, doesn't help.
But again, this is a prototype device. So we have to cut Google some slack here. As far as I know, they haven't said which of their manufacturing partners made this thing, but let's hope it was the cheapest device possible for them to produce and that's why it exists as it does.
I really do hope that's the case.
The Setup
Okay, so I took it out of the box and laughed. But then I opened the lid. Immediately, the thing booted up. No need to press the power button. 15 seconds later, it was walking me through a very easy-to-understand tutorial on how to use Chrome OS. After a few minutes reading it, I was asked to take a picture of myself (for my profile picture) with the built-in camera (above the screen), then I was all ready to go. That's it.
I signed in with my Google account, and the browser launched. My bookmarks, extensions, and web apps were all automatically synced. I was ready to go pretty much instantly.
Now I was impressed. Very impressed. This is absolutely the future of computer set-ups.
The Trackpad
But the love affair quickly turned sour when I started using the Cr-48 trackpad. Jason called it a "turd", but I think that's being too kind. It's maybe the worst excuse for a piece of technology that anyone has created in the past five years. It's so much worse than any other trackpad I've ever used in recent memory, it's almost unbelievable. Those bug reports from a few weeks ago make sense now.
And it also makes sense why Google isn't selling the Cr-48 at all, despite the high demand. If they sold this product with this trackpad, Google may not be allowed to ever attempt to make another branded product ever again. If you think I'm exaggerating, use one.
Every time I point at something and click down, the cursor moves below or above where I had originally pointed. I've now taught myself to aim slightly higher or lower than where I want to click. But I have to guess which it will be. It's a crapshoot.
Trying to double click with two fingers is even worse. If you're used to casually doing it with ease on a MacBook, this will be your hell. To get it to work, you essentially have to lift two fingers about a foot in the air, then bring them down in a perfectly straight line at a rapid speed while making sure that they both hit the pad at the exact same time. Okay, I may be exaggerating a bit there, but it's really bad.
Two finger scrolling? It's perfect if you like randomly jumping to various parts of webpages for no reason.
Okay, I've made my point. This trackpad is a disgrace. It's an abomination. I don't know if it's hardware or software or both (likely), but it's just terrible. I'm tempted to do the unthinkable: buy a mouse.
The Keyboard
Moving on. So, the trackpad quickly soured my Chrome OS experience. But after I figured out little tricks to better maneuver (mainly using the excellent keyboard and its shortcuts), I was back on track. After a day, I was frustrated. But after two days, I was really, really liking Chrome OS. And even certain things about the Cr-48 specifically.
For example, every computer should absolutely have a search button in place of caps lock. I can't remember the last time I've used caps lock. And yet, there it is, right there in a vital place on the keyboard. On the Cr-48, I think the search button rivals the spacebar for my most-often-hit key. You click it and it launches a new tab reach to search away in the omnibox. It's fantastic.
Also awesome are the window-switching and full screen mode buttons on the Cr-48. OS X, with Spaces, essentially allows you to do this type of window-switching, but I'd argue that it's better on Chrome OS because everything is simplified. If you want to open a new window (as opposed to a new tab), it will reside on another screen. That said, it is a little tricky to navigate if you have more than two windows open — hitting the button will cycle through them in order.
Full screen mode has existed on Chrome for some time, but the keyboard shortcut makes it more accessible than ever before. And on smaller screens (like the 12-inch on on the Cr-48), it's very nice.
The Speed
Speed is the other major weakness of the Cr-48. It's running an Intel Atom chip which is apparently clocked at 1.66 GHz. That may seem like it would be fast enough to run a web browser, but it's not. Well, not if you're doing anything with Flash turned on.
When we initially reported on the Flash issues that Cr-48 users were having, many of our favorite commenters (who may or may not make a living developing for Flash) were quick with the typical "bias!" nonsense. Of course, a few hours later, none other than Adobe themselves admitted the performance of Flash on the Cr-48 was unacceptable, and said they were working on it.
Good, because beyond watching a small YouTube clip with no other tabs open, Flash is basically unusable on the Cr-48. And that's annoying because Google has decided to bake Flash into not only Chrome, but Chrome OS as well. So extensions like Flash Block are your friend here — or go to about:plugins and disable Flash directly until Adobe gets the mess sorted out.
But even beyond Flash, the Cr-48 just feels very slow when compared to any other modern computer. Typing, for example, often lags on sites such as WordPress (which I'm using right now). And opening new tabs and windows takes a few seconds longer than it would on a normal machine.
All of this is would seem to be because Google included only 2 GB of RAM in the Cr-48. But I have a MacBook Air with only 2 GB of RAM and it flies. Google really needs to work with their OEM partners to get this lag sorted out before these Chrome notebooks start shipping. And I have to believe they will.
Beyond Prototype
In fact, in many ways, the Cr-48 reminds me a lot of the G1, the first Android phone Google shipped (with HTC) a couple years ago. They both were clearly step one of a platform that would quickly evolve. And the Cr-48 even sort of feels like the G1 to the touch.
I still have a G1. Looking at it now compared to the newer Android phones is pretty humorous. The platform has clearly come a long way. And that gives me a lot of hope for Chrome notebooks as well.
As it stands now, two things about this the Cr-48 currently standout: the boot-up time and the battery life. Both are excellent.
The Cr-48 goes from being off to the log-in screen in 15 seconds. That's slightly above Google's stated 10 second mark, but it's still very, very good. When you log-in, it takes another 15 seconds or so to load all your profile information and Chrome preferences from the web. So you're looking at a total time from zero to working in 30 seconds.
For comparison, the new MacBook Air, with its new solid state drives, goes from zero to working in about 18 seconds. But that's without booting up Chrome (or your web browser of choice on OS X) and waiting for it to load a page. That adds another 5 seconds or so. So they're very close in terms of startup speed between the two systems. And again, that's on Google's prototype machine.
But as I indicated above, the Air runs circles around the Cr-48 in just about everything else when it comes to performance.
The one area where the Cr-48 does seem to have the MacBook Air beat is battery life. Google claims 8 hours, but I think it actually may be more. Because I'm in Europe, I turned off the cellular antenna (since Verizon connectivity obviously won't work here) and I'm seeing closer to 10 hours of battery life on a full charge when connected to WiFi. The MacBook Air has fantastic battery life as well, but Cr-48 is definitely better.
And again, just imagine what that will mean when someone actually creates a Chrome notebook that they intend to sell. The Cr-48 is a little bit bulky, but if they trim it down to around Air size, I bet they could still get at least a solid 7 or more hours out of the system. This seems to be one huge benefit of only running a browser.
Chrome OS
And let's finally talk about that browser. Quite a few people were shocked when Chrome OS was revealed to be little more than Chrome — and that's it. But that simplicity is the OS's strength. It removes several layers of junk that most people these days never use on a computer.
I know that personally, roughly 95 percent of what I do on a computer these days is in the web browser. Of the other 5 percent, 4 percent of it could probably be done in the browser too (light image editing, taking notes, etc). The other one percent is more difficult but those are mainly things (iTunes media management, Photoshop) that I only need to do some of the time and can use a desktop machine for.
That's the thing: Chrome OS isn't going to fully replace anyone's desktop anytime soon. But it could become a very viable on-the-go computing solution.
Even in its current beta state, Chrome OS has definitely been a perfectly adequate travel companion these past three days (Cr-48 trackpad aside). And it's only going to get better. And if Chrome's (the browser) evolution is any indication, it's going to get better very quickly.
Panels
As Jason hit on quite a bit in his post, one of the most interesting things about Chrome OS will be how developers support it. Right now, most Chrome Web Store apps are little more than mildly glorified extensions, or just links to web apps already in existence. Meanwhile, one of the coolest features of Chrome OS, panels, are barely used. Developers can and should change this quickly.
Prettification
Another thing that bugs me about the OS currently is that Google seems determined to maintain some of Windows awful aesthetics. More directly: fonts look like shit.
Chrome on Mac easily looks much better than Chrome OS does for this very reason. Hopefully Google will add some polish here as Chrome OS pushes forward.
Also, the look and feel of the top toolbar (the area to the right of the tabs) is pretty poor. Google could and should do a much better job here.
And while we're on the subject, Chrome's already dicey themes all look even worse with Chrome OS. Google should just stick to some simple color options and leave out all the BS. No, I don't want my Chrome OS to look like an ice cream cake any more than I wanted Windows to look like a hot dog stand. But that, of course, is just my opinion.
Connectivity
The biggest factor holding up Chrome OS is mostly out of Google's control: WiFi infrastructure. While WiFi is fairly widespread, it's far from everywhere. And Chrome OS is worthless without connectivity. I mean, it's completely and utterly useless.
That's exactly why Google teamed up with Verizon to offer back-up 3G connectivity. But beyond the paltry 100 MB they give you for free each month, that type of connection can get expensive quickly just to be able to simply use your computer.
Further, many deals will have to be worked out in various different countries for that level of connectivity. That's why my Cr-48 isn't fully travel-ready here in Europe, for example (there is no Verizon here).
So what happens when you boot up your Chrome notebook without a connection? Well, you get an error — a very confusing one. This has happened to me a few times in the past few days. I boot up the computer, enter my password, and it says there's a problem with my password. Only that's not true. It's just that I'm not connected to the network, so it can't verify my password (Google really needs to change the wording there).
The problem here is that if you're on a network with a password, you have to log-in to Chrome OS as a guest, connect to the network and entire the password, then log out and log back in to your Google account. A pain. And something that a lot of users are going to experience again and again.
The Connected Computer
So while Google CEO Eric Schmidt says the world is now ready for Chrome OS, I think we're still at least a year — and maybe a few years — away from this type of system being viable for most average consumers. But I think it's fantastic that Google is willing to go out on a limb now to help the transition along.
Of course, the payoff for them looks be huge if they lead this new era of computing. And the risk is fairly minimal. Even if Chrome OS takes a while to take off, Google has more than enough capital to keep the project going for a long time — just like they did with Android at first.
In many ways, smartphones have and will continue to help us with this transition. The assumption of always having a connection to the web is now built into most of our daily lives. What good is a smartphone when you're not connected? Maybe just for playing some games. Computers will eventually be the same way. Until games are fully online as well — something which the Chrome Web Store is trying to make happen.
I don't think anyone disagrees that computers that are always connected to the Internet are the future, it's just that Google is taking it to the extreme right now with these machines. It's Internet or nothing. It's bold.
Price
While Google hasn't yet stated how much they (and their OEM partners) intend to sell Chrome notebooks for, that price is going to be crucial. It obviously needs to be low. Very low.
If Google wants these to compete with Windows machines, sub-$500 should do the trick. And if they can bring them in with better hardware than the Cr-48 for something like $300, I think they're going to sell a ton of them next by next holiday season.
And Google keeps reiterating that they intend Chrome OS to work on other platforms as well. You can imagine desktop machines running Chrome OS might be perfect for schools and libraries. And Google could of course bundle Google Apps with them. Hell, I could even see them subsidizing Chrome notebook costs to get them available to all students in certain school districts that commit to Google Apps.
Actually, a big competitor for the Chrome notebooks may end up being the new MacBook Airs. Both are now trying to redefine just what exactly portable computing is. There's no denying that the Air is a much, much sexier device both in look and feel than the Cr-48. But it's also likely to be several hundred dollars — and maybe even a thousand dollars more expensive in some cases.
Again, that's why Google needs to nail the price points and nail the execution with their OEM partners on these. I have some doubts as to whether that will happen or not initially, but even a mediocre Chrome notebook should put quite a bit of pressure on low-end Windows machines, at the very least. As I wrote a year ago, it would be the Microsoft squeeze.
Back Offline
To finish up this post, I actually moved back from the Cr-48 to my MacBook Air. One reason is that the typing lag was driving me insane. The other is that image insertion — and image management, is still pretty tricky with Chrome OS. So I'm back to a machine with more than just a browser.
This is actually the first time I've extensively used this machine in three days. It's a little weird seeing the browser shrunk into a window. And I actually like it taking up the full screen more (that's easy enough to do on a Mac or PC with Chrome, the browser). In a slightly weird twist, I actually don't like seeing all the, yes, chrome. What's the point?
Of course, I do cherish the speed of this Air versus the Cr-48. Oh and the trackpad. My god the trackpad. It actually works! It's a thing of beauty that I will never take for granted again.
So there you go, I'm pretty divided right now on Google's first take at the Chrome notebook. It's both brilliant and bewildering. It's both the future and a nightmare. But it's definitely not boring, which is more than you can say for a lot of "new" technology these days. Watching it mature will be fun. But first the hardware needs to grow up.
If I could buy the Cr-48 right now, would I? No. But I'd download Chrome OS and install it on some cheap netbook. Or maybe even this Macbook Air…
The Queen of Chat
Oprah is as much a professional as she is a diva.
By Andrew Edgecliffe-JohnsonPosted Sunday, Dec. 12, 2010, at 7:17 AM ET
http://www.slate.com/id/2277679/http://www.slate.com/id/2277679/Oprah WinfreyThe queen of chat has no time to talk. Oprah Winfrey is cramming in screen time on the final season of her talk show, preparing to launch her own cable network, and packing for Australia, where she is flying 300 loyal viewers in December. (Sydney's best-known landmark has, inevitably, been dubbed the "Oprah House" in anticipation.) She can't fit in an interview, but suggests that if we e-mail over some questions she will write out the answers.
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Oprah is as much a professional as she is a diva, and two pages of answers duly come back, conveying the unmistakable blend of business savvy and self-improvement-speak that has made her a unique figure in the media industry and a singularly influential voice in popular culture as she prepares to reinvent her empire.
She has graced countless magazine covers (including every edition of O, The Oprah Magazine) and appeared on almost every list of powerful women in the past decade, so when she is asked how women's place in society and business has changed in that period, it is fitting that her answer is all about power. "Women have as many definitions of power as there are women to use it. The only power that matters is authentic power—power that comes from you serving the highest expression of yourself, being true to who you are," she writes. "That's the reason we have seen such entrepreneurial explosions in business during the past decade. Women [are] figuring out how to make money doing what they love."
Oprah's tantalising promise to her audience, which has sustained The Oprah Winfrey Show as the No. 1 talk show on U.S. daytime television for nearly 25 years, is that their "authentic power," their "true calling," their "best life" is within their grasp. And by reaching for it, they might become just a little bit more like the disarmingly normal billionaire they have grown up with.
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"The best compliment I've ever been paid came in a letter from a woman in Ann Arbor, Michigan, who said that watching you be yourself every day makes me want to be more of myself," Oprah comments, with a politician's knack for the Everyman anecdote.
Audiences' early fascination with the young woman from Kosciusko, Miss., came down in large part to what she was not: Unlike most talk-show hosts in 1985, she was not male, skinny, perfectly groomed, or white. (A Baltimore station manager wanted her to change her name to Suzie, saying nobody would ever remember Oprah.) A quarter of a century later, aged 56, she now pulls off a rare "ordinary billionaire" balancing act, where her viewers know that she has wealth they can only dream of, but either believe that she is just the same as them regardless or hope some of her estimated $2.7 billion fortune will rub off.
"Although we like reading the lists, we know being powerful isn't about how rich you are, or whether you get your own coffee in the morning. It's about fulfilment and finding joy in whatever service or talent you have to offer," she says. Other chief executives tend not to mention fulfilment and joy when they talk about power, but Oprah is comfortable in a more mystical realm: "If I told you the most powerful woman I ever met, you wouldn't recognise her name," she says. "That's because her power comes from her courage, and faith and determination and confidence to make things happen, and the ability to bow before the worst of times with grace."
The rise of Oprah, from rural poverty and abuse, via local broadcasts and national syndication to international renown, personifies what David Brooks, a New York Times columnist, dubbed "the self-esteem hurricanes" that have blown through the American landscape in the past generation. Yet there is a gulf between the reach of Oprah's uplifting message and the influence of any mere self-help guru, celebrity chef, or lifestyle model. Martha Stewart (who also built a media empire around her brand) may tell you how to do things, like the perfect table decoration or flawless canapés, but Oprah tells you what to do with your life. And as for U.S. television staples Dr. Phil (McGraw), Rachael Ray, Suze Orman, and Dr (Mehmet) Oz, well, Oprah made their careers.
The audience fragmentation that has shattered many middle-of-the-road media properties seems only to have worked to the advantage of the few brands that stand out from the crowd. Oprah's brand has spread seamlessly in the past decade from television to a magazine selling 2.4 million copies a month (more than Martha), a satellite radio channel, a film company, a well-trafficked Web site, video-filled iPad apps, and a 4.6 million-strong following on Twitter. Last year's revenues at Harpo, her production company, were estimated by Fortune at about $315 million and she has become a prominent figure in philanthropy through Oprah's Angel Network and the Oprah Winfrey Leadership Academy for Girls, a school in South Africa. "There's no question she's the most successful voice in broadcast television, probably in history," says David Zaslav, CEO of Discovery Communications.
In the process, the "Oprah effect" has entered the lexicon as shorthand for the boost she can bestow by introducing her audience to a book, a television presenter or a holiday gift. Her regular pre-Christmas episodes, Oprah's favorite things, have propelled sales of products from body butter to cars. Supplicant manufacturers beg for inclusion on the list, and some investors base their stock picks on the show's selections.
Publishers are equally in thrall to her book club, whose choices have nabbed more than 60 places on U.S. best-seller lists since 1996, and several commentators saw evidence of the "Oprah effect" in the election of America's first black president, given her vigorous campaigning for Barack Obama after telling him in 2004 she believed he was "the One."
In a country where media outlets are increasingly split between left and right, Oprah has hovered above the divisions from her Chicago base. Weak ratings this summer, where she was briefly overtaken by Judge Judy, were seen by some as evidence that her popularity was tumbling with President Obama's poll standing, but she has regained her lead since the autumn. In November, she interviewed former president George W. Bush, without a hint of discomfort on either side.
"I've always known that The Oprah Winfrey Show was a phenomenon, and that was not planned. The effects of the show were far beyond my power and control," she says. But her description of its influence is not about the readership of Jonathan Franzen novels, sales of Philosophy cosmetics or voting patterns, but about her pride in the program's "immeasurable" effect on people's personal lives and on "the culture".
"We were one of the first shows to talk about alcoholism and dysfunctional families in a way that wasn't exploitative, to shed light on domestic abuse, to depict postpartum depression and to openly discuss gay rights and marriage in the '80s," she says.
It is one of the oddities of her show that it can veer from ecstatic whooping over a cashmere sweater to heartbreaking investigations into sexual abuse and back again to tearful interviews with Whitney Houston or couch-jumping antics from Tom Cruise. "A lot of people's lives have been deeply and directly affected by the show," its host says. "The ability we've had to help make those connections with the viewers, to allow them to see themselves in someone else's story … has been unparalleled."
Now, the question is whether the connection will prove strong enough for viewers to follow her from broadcast television to cable. Nine months before the last episode of The Oprah Winfrey Show airs, she will launch the Oprah Winfrey Network—OWN for short—on New Year's Day (a day of resolutions fitting to its mission "to entertain, inform and inspire people to live their best lives").
The channel is a 50-50 joint venture between Harpo and Discovery Communications, the cable channel owner behind Man vs Wild, Dirty Jobs and Sarah Palin's Alaska. Discovery is putting in $189 million and a route to 78 million homes. Harpo is injecting Oprah.com, a library of old episodes, and what Discovery's Zaslav calls "maybe the strongest brand in media," Oprah herself, who will have editorial control over all programming.
. . .
The idea has been brewing for a long time, says Oprah. "In the early '90s Stedman [Graham, her partner] and I were talking about the state of trash television and I was frustrated with what I thought television was becoming. He suggested that I create my own network. So I wrote in my journal that night and I thought of the letters O-W-N, standing for Oprah Winfrey Network (I'm always looking for signs). I decided then that the goal of this network would be to create mindful rather than mindless television programming."
Announced in January 2008, OWN was supposed to launch in 2009, but was set back by a dire advertising climate and management upheaval. Now, with a creative team led by former MTV executive Christina Norman and more reality shows in the mix, details of its schedule confirm that the new chapter in her career will have a familiar message of self-discovery, for viewers and host alike.
The channel's line-up will include Rosie O'Donnell, an occasionally controversial television host and comedienne; Gayle King, one of Oprah's closest friends; Sarah Ferguson, the Duchess of York; and "Oprah's All Stars" – protégés such as Dr Phil, Suze Orman, and Dr Oz. They will not all be on from Day 1, however, and Oprah's on-screen presence will be limited until she finishes filming The Oprah Winfrey Show in May. The main attraction has committed to being on-screen for just 70 hours a year, excluding repeats (twice as much as she initially agreed, in response to feedback from anxious cable companies).
The full extent of her plans remains unclear, but they include Oprah's Next Chapter, a globetrotting program that will give the queen of daytime her primetime debut. She will also appear on a series called Master Class, featuring interviews with "modern masters" from Jay-Z and Simon Cowell to Sidney Poitier, Maya Angelou, and, of course, Oprah.
Other early shows include In The Bedroom with Dr. Laura Berman (there are a lot of doctors in Oprah's orbit), a documentary called One Lucky Elephant ("a touching account of a man's incredible love for a wild animal") and a show in which Oprah auditions people pitching programme ideas for OWN. The final season of The Oprah Winfrey Show will itself be fodder for a behind-the-scenes series.
"Too often I've watched shows and wondered what did I just watch that for? What a misuse of my time. I don't ever want to waste the viewers' time on OWN," she says. "When you turn on the channel, you will find something that is either inspirational or meaningful or thoughtful or perhaps just something that brings a little piece of light to your life. Because, in my heart, I am a teacher and I feel it is best when viewers can have an a-ha moment or two and be entertained at the same time."
. . .
OWN will be up against scores of lifestyle channels, covering food, decorating or relationships, but no one competitor clearly combines the various elements with Oprah's optimistic message, and her uplifting fare could stand out amid the bitchy reality shows. Oprah's celebrity was not enough to make a success of Oxygen, a cable channel showing a mix of female-focused programming—from sitcom Kate & Allie to the Inhale yoga show—in which she invested in 2000. But early bookings from blue-chip advertisers for OWN have been "extremely robust", Discovery says.
The audience for The Oprah Winfrey Show was more than 12 million a decade ago, compared with just over 8 million now, and in bidding farewell to broadcast television, she is trading a declining medium for cable, where audiences, fees and advertising revenues continue to grow strongly. Her departure from daytime TV will change the economics of local television in the U.S. One local broadcaster, Nexstar, told investors recently that Oprah's syndicated show accounted for a quarter of its programming expenses.
Publishers and others whose brands have benefited from the "Oprah effect" are waiting nervously to see whether the new network will offer them the same opportunities. Discovery's investors and international partners are wondering whether Oprah's all-American offering will travel. (Oprah notes that her broadcast show has been syndicated in more than 145 countries, points out that OWN will hit 6 million Canadian homes in March, and says: "I won't be satisfied until we reach every country around the world where TV is available.")
There is not much left of the mass media in which Oprah came to fame. Broadcast television may be declining, but it can still pull in audiences larger than the cable channels, which reach just two-thirds of the country. The challenge for OWN will be to retain the place that The Oprah Winfrey Show earned its host in the national, and international, conversation.
Asked what her aspirations are now, Oprah does not mention ratings or revenues. Instead, she replies: "I try to live in the space where I can let God use me and where I can be used for something greater than myself. I'm grateful for the run we've had with the show, but I'm ready to be used for the next thing." OWN "will be what it's supposed to be", she says, as she ends with an image that is part advertisement, part product placement and part rallying cry: "I was in London a few months ago, at the Lanvin store, and I bought a palette of about 170 coloured pencils. I don't know how to sketch, but I was excited by the idea of having all of these different
Why Surgeons Dread Redheads
By Meredith Melnick Friday, December 10, 2010 | 149 comments
- Related Topics: bleeding, Genetics, hernias, Medicine, Pain, recessive genes, red heads, surgery
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- As the authors of a recent study published in BMJ attest, society's red-haired members don't always get a fair shake. Hoary stereotypes, such as the idea that redheads are also hot heads, are mixed together with actual physiological differences — such as a heightened sensitivity to pain. Now science is getting a better understanding of redheaded physiology than ever before.
In numerical terms, people with red hair are a decided minority. They comprise just 2-6% of the population of the northern hemisphere and 1-2% worldwide. It's genetics that make them such rare birds. (More on Time.com: How to Keep Surgeons From Leaving Things Behind)
The carrot-top coloration is caused by a gene on chromosome 16 that affects the melanocortin-1 receptor (MC1R) protein, which often leads to the redheads' characteristic pale skin and light eyes, as well as a sensitivity to ultraviolet light — which is why they must slather on the sunscreen when they go outside. Because the gene is recessive, both parents must carry it in order for a red-haired child to be born. That's not difficult — 80% of the global population carries the redheaded gene even most if they do so invisibly. (More on Time.com: The Top 10 Redheads)
For those few who do have the redhead phenotype, the physical challenges go beyond the occasional sunburn — something that surgeons well know. And that's what the BMJ authors sought to explore in their meta-analysis, or survey of the existing scientific literature
Operating room docs, for example, have long reported that redheads appear to need more anesthetic than others. The new study suggests that that observation is an accurate one — mostly. Those with the MC1R mutation are more sensitive to opiate pain killers — which means they'd actually need less — but less sensitive to other types, most notably lidocaine injections. One study which used heat-related pain as its litmus of overall sensitivity showed that redheads indeed felt things more acutely and unpleasantly, probably because the MC1R mutation releases a hormone that stimulates a brain receptor associated with pain regulation. (More on Time.com: Study: Researchers Identify Hundreds of Gene Variants That Contribute to Height)
Redheads are also said — anecdotally at least — to be more susceptible to hernias. The study did not establish that conclusively, but it did find a tangential link between chromosome 16 and a condition called brittle cornea syndrome, the sufferers of which have a slightly elevated hernia risk.
Less substantiated by the study was the belief that people with red hair are more susceptible to hemorrhages. A survey of tonsillectomy patients found that about 7% of both red-haired and control patients experienced post-surgical bleeding. And in a study of the blood coagulation of 50 women, half of whom were redheads, there was no difference in clotting.
Overall, the researchers concluded that even if redheads require a little extra handling on the operating table, trepidation among surgeons had more to do with stereotypes than with clinical evidence."It would seem that the reputation of people with red hair for having increased perioperative risk is without any basis in fact and should only be used as an excuse of last resort by surgeons defending problematic bleeding or recurrent hernias," concluded authors, Andrew L Cunningham and Christopher P Jones. Take that, blonds and brunettes!
Georges St. Pierre Dominates Josh Koscheck at UFC 124UFC 124 Fight Night Photos Josh Koscheck's right eye is closed shut at UFC 124 on Saturday, Dec. 11, 2010 at the Bell Centre in Montreal, Quebec, Canada. Esther Lin for FanHouse Esther Lin for FanHouse
UFC 124 Photos
Georges St-Pierre punches Josh Koscheck at UFC 124 on Saturday, Dec. 11, 2010 at the Bell Centre in Montreal, Quebec, Canada.
UFC 124 Photos
Josh Koscheck takes down GSP to finish round one at UFC 124 on Saturday, Dec. 11, 2010 at the Bell Centre in Montreal, Quebec, Canada.
UFC 124 Photos
Josh Koscheck charges towards Georges St-Pierre at UFC 124 on Saturday, Dec. 11, 2010 at the Bell Centre in Montreal, Quebec, Canada.
UFC 124 Photos
Josh Koscheck looking to knock out Georges St-Pierre at UFC 124 on Saturday, Dec. 11, 2010 at the Bell Centre in Montreal, Quebec, Canada.
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Georges St-Pierre jabs Josh Koscheck at UFC 124 on Saturday, Dec. 11, 2010 at the Bell Centre in Montreal, Quebec, Canada.
UFC 124 Photos
Josh Koscheck checked his foot in between rounds at UFC 124 on Saturday, Dec. 11, 2010 at the Bell Centre in Montreal, Quebec, Canada.
UFC 124 Photos
Georges St-Pierre listens to his corner's advice at UFC 124 on Saturday, Dec. 11, 2010 at the Bell Centre in Montreal, Quebec, Canada.
UFC 124 Photos
Georges St-Pierre punches Josh Koscheck at UFC 124 on Saturday, Dec. 11, 2010 at the Bell Centre in Montreal, Quebec, Canada.
UFC 124 Photos
Georges St-Pierre punches Josh Koscheck at UFC 124 on Saturday, Dec. 11, 2010 at the Bell Centre in Montreal, Quebec, Canada.
UFC 124 Photos
Arianny Celeste holds up the Round 4 sign during Georges St-Pierre vs. Josh Koscheck at UFC 124 on Saturday, Dec. 11, 2010 at the Bell Centre in Montreal, Quebec, Canada.
UFC 124 Photos
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Ever the perfectionist, St. Pierre also said he regretted that he didn't finish Koscheck. But this was, in its own way, just as brilliant a performance as any first-round knockout.
His right eye almost swollen shut, Koscheck said afterward that he was just honored to fight the best in the business.
"Georges St. Pierre is a true champion," Koscheck said. "St. Pierre is the man tonight."
St. Pierre took the center of the cage, landed a couple of jabs and took Koscheck down just 20 seconds into the first round. Koscheck, however, was an excellent college wrestler who's comfortable on the ground, and he got right back up without taking any damage at all. The second and third times GSP went for a takedown, Koscheck stuffed it nicely and stayed on his feet. But St. Pierre was landing left jabs successfully, and Koscheck had blood and bruising on his right eye within a few minutes.
Koscheck couldn't get much going offensively in the first round: He swung hard with his right hand only to have St. Pierre duck under it, and he went for a takedown only to have St. Pierre plant his back against the cage and stay standing. Koscheck did finally get St. Pierre on his back with about 15 seconds to go in the first round, but by that point it was clear that St. Pierre had won the round.
In the second round St. Pierre could see that Koscheck's right eye was badly hurt, and St. Pierre went on the attack, throwing a superman punch, left jabs and a left high kick. Late in the round Koscheck started to mix up his striking, and he landed a good uppercut, but it was a second round that St. Pierre won handily.
In the first minute of the third round St. Pierre went for another takedown and was stuffed again. Koscheck showed off some tremendous takedown defense, as St. Pierre has some of the best takedowns in the sport. But in the stand-up department, St. Pierre continued to control the fight. He landed jabs and inside leg kicks at will, and Koscheck just had no answer with his own striking.
Early in the fourth round St. Pierre went on the attack in the striking, then secured a takedown and got Koscheck's back. Koscheck, however, maintained his composure and actually had a chance at a leg lock submission before St. Pierre pulled free as they went back to their feet. Once again, St. Pierre controlled the stand-up, and by the end of the fourth round it was clear that St. Pierre led four rounds to none.
In the fifth round it would have been easy for St. Pierre to play it safe, but instead he fought like a champion, continuing to connect with jabs to Koscheck's bloodied and bruised face. St. Pierre continued to dominate the fifth and knew as soon as the final horn sounded that he had won.
St. Pierre was fighting in his hometown of Montreal and was greeted by a loud ovation. Koscheck played up his role as the villain in this fight, and he was greeted by a loud chorus of boos. But the fight ended with Koscheck and St. Pierre hugging, putting all the pre-fight trash talk behind them. Koscheck knew he had been beaten by the best in the world.
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12/12/2010 12:34 AM ET By Michael David Smith
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Georges St. Pierre has shown once again why he's the best mixed martial artist in the world: He doesn't just keep winning, but he keeps getting better every time.
St. Pierre dominated Josh Koscheck for 25 minutes Saturday night at UFC 124, retaining the UFC welterweight championship with a unanimous decision victory that all three judges scored in St. Pierre's favor, 50-45. St. Pierre has been working with the renowned boxing trainer Freddie Roach, and it clearly paid off, as St. Pierre used his boxing to a greater extent than ever before in his career.
"Josh Koscheck likes to throw his punch circular, and me, I'm a straight puncher," St. Pierre said afterward. "So the issue was to keep him on the outside."
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Josh Koscheck's right eye is closed shut at UFC 124 on Saturday, Dec. 11, 2010 at the Bell Centre in Montreal, Quebec, Canada.
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Groupon Clipping
by James Surowiecki December 20, 2010
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- Keywords Google; Groupon; Internet; Technology; Business; Advertising; Mergers and Acquisitions
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Gulag Lite
by David Remnick December 20, 2010
JUDGE: And what is your profession?
BRODSKY: Poet. Poet and translator.
JUDGE: And who told you that you were a poet? Who assigned you that rank?
BRODSKY: No one. (Non-confrontationally.) Who assigned me to the human race?
JUDGE: And did you study for this?
BRODSKY: For what?
JUDGE: To become a poet? Did you try to attend a school where they train [poets] . . . where they teach . . .
BRODSKY: I don't think it comes from education.
JUDGE: From what, then?
BRODSKY: I think it's . . . (at a loss) . . . from God.
Shouts & Murmurs
Santaleaks
by Ben Greenman December 20, 2010
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Books
Staying Power
Mao and the Maoists.
by Pankaj Mishra December 20, 2010
Mao, in an official photograph, on a horse during a 1947 trip to north-central China. Two years later, his dominion was complete.
Books
Tea and Antipathy
Did principle or pragmatism start the American Revolution?
by Caleb Crain December 20, 2010
Boston merchants may have instigated early unrest to protect smuggling profits.
Profiles
Master of Play
The many worlds of a video-game artist.
by Nick Paumgarten December 20, 2010
Shigeru Miyamoto has always tried to re-create his childhood wonderment. He's the closest thing there is to an autobiographical game creator, and shuns focus groups: "As long as I can enjoy something, other people can enjoy it, too."
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Winter Classic: HBO's aims for access to Penguins, Capitals
Sunday, December 12, 2010
By Maria Sciullo, Pittsburgh Post-Gazette
Gene J. Puskar/Associated Press
Penguins captain Sidney Crosby and Capitals captain Alex Ovechkin will lead their teams in the Winter Classic at Heinz Field, Jan. 1.
When cameras began rolling last week, little Max Rupp was a natural.
The 1-year-old son of Penguins forward Mike Rupp was filmed by an HBO crew for its upcoming sports reality program, "24/7: Penguins/Capitals: The Road to the Winter Classic."
At the team's holiday party at the Consol Energy Center, it was Cute Kid Alert: "I had Max on a sled and was pulling him around," said his father.
But during a visit with Santa -- HBO or no HBO -- Max wanted no part.
"[HBO cameras] got him screaming on Santa's lap," Mr. Rupp said. "That's like the typical Christmas picture, isn't it?"
Still, "I think Max Rupp is going to be a superstar by the end if it," said defenseman Ben Lovejoy.
Pittsburgh fans can watch the series first episode at 10 p.m. Wednesday.
"I can tell you, the reaction from the NHL, from the teams, the coaches and the players, has been as good or better than any '24/7' we have ever produced," said Rick Bernstein, vice president of HBO sports and series executive producer with president Ross Greenburg.
"They all understand what the show is about, they all understand how we have to be there all the time."
"All the time" means exactly that. The cameras are rolling at games, during practices, on airplanes, in hotel rooms, at restaurants, and they might even follow some players or coaches home.
HBO has a crew of eight living here through New Year's Day, when the Penguins meet arch-rival Washington outdoors at Heinz Field. Four episodes will air -- three featuring the run-up to the Winter Classic, which includes a Dec. 23 game in D.C. -- and a Jan. 5 finale episode shot at the Classic itself.
The final say on what appears on the episodes, however, is up for negotiation.
"This is [a policy] we have had in place since we started doing 'Hard Knocks,' " said Mr. Bernstein, citing the cable giant's behind-the-scenes series profiling NFL teams during training camp.
Behind the scenes Teams can preview the edited content and if they believe it puts them in a compromising position, from a competitive standpoint, HBO will work with that.
"But I can tell you that over the years there have been very few changes requested of us," Mr. Bernstein said.
"We maintain editorial control, but I think they understand that the only way the series will be a success is if we both work together to provide total access."
"24/7" has produced seven up-close-and-personal looks at prizefighters since its inception in 2007, winning a slew of Emmy Awards. Earlier this year, it followed NASCAR driver Jimmie Johnson en route to the Daytona 500.
This is the first time an HBO sports reality series has jumped into the lives of players, coaches and staff during a team's regular season.
"One thing I have learned is that, unlike football, you can have a team be on a slide and it's not as big a deal. You can lose a few and I think the guys can still be in a good mood," said Bentley Weiner, a coordinating producer who grew up in Squirrel Hill.
Superstitious behavior abounds in athletics, so it probably didn't sit well that on the first day of the crew's arrival, Nov. 15, to shoot B-roll and explore camera angles, the Penguins lost in overtime.
After that, however, they have been on an 12-game winning streak. A change in routine? Cool.
To prepare for filming, the advance HBO team spent a week and three home games with the Penguins in mid-November.
From now until New Year's, one field producer, one assistant, two cameramen armed with Panasonic VariCams, two audio specialists and two camera assistants make up the very mobile group responsible for shooting the Penguins, 24/7.
Exhaustive research has provided them background information, YouTube clips, NHL-provided clips, as well as a list of good restaurants open at odd hours.
A similar scenario is being played out in Washington, where the coordinating producer is Scott Boggins.
Ms. Weiner said it usually takes the athletes a few days to get used to the camera crews: "I think it depends on the athletes. We hope they don't notice within a couple of days. After a week, they know they're there, but they're not as cautious."
When HBO and the Penguins announced in September that "24/7" would cover the Winter Classic (the game airs on NBC), players appeared amused.
"We're allowed to swear, right?" said goalie Marc-Andre Fleury.
Noting that the New York Jets head coach was talking up a blue streak on the most recent edition of "Hard Knocks," Penguins coach Dan Bylsma laughed and said, "I don't think I'll let fly like Rex Ryan, but it'll be interesting to feel the cameras on you in different situations."
In the first filmed practice Tuesday, some of the players wore microphones, and backup goaltender Brent Johnson wore a tiny helmet cam next to his left ear.
He claimed no distraction: "I actually played just how I always play. They [viewers] get to see the shots coming right in.
"No one shot at my head, so that was good."
Tell me a story It's one thing to shoot hours of footage -- possibly 500 by the time they're done -- and quite another to shape it into intriguing story lines.
"One of the most challenging aspects of '24/7' is, we go into each week with what we think the format of the show will be, but it is often changed," Mr. Bernstein said.
Some of the story threads are obvious: the well-mannered Penguins superstar, Sidney Crosby vs. the bad-boy Caps superstar, Alex Ovechkin.
Penguins standout Jordan Staal is fighting back from not one but two injuries, so his story probably is a given.
Still, the obvious doesn't always turn out to be the most interesting, which is why the crew films interviews boxing managers and guys who make smoothies for the athletes.
There will be 25 consecutive days in the field, planning, arranging camera placement, doing interviews, filming. Back at the editing studios in lower Manhattan, producers are in constant contact with the Pittsburgh and D.C. crews. Each day's footage is put on an early morning flight, arriving around 10:30, where it is logged and digitalized.
In New York, a team of about 20 transform the raw footage into compelling documentary. Previous "24/7" cycles have produced 30-minute episodes, but the Winter Classic shows will expand to 45 to 55 minutes.
The executive producers, coordinating producers and senior producer David Harmon have begun their marathon editing sessions. Some work can be done ahead of time -- choosing music, assembling B-roll film -- but the rest is an organized scramble to meet deadline.
"It's a five-week grind, day and night, without a day off," Mr. Bernstein said.
The script is locked down by Tuesday night, when actor Liev Schreiber arrives to record the voice-over. Mr. Schreiber, a Tony Award-winning stage actor also known from his many films, has become the go-to guy for documentary narration.
On occasion, holes in the script are left on purpose. For Pacquiao-Margarito "24/7" in November, the weigh-in was conducted at 6 the night before the new show aired. The fresh footage was quickly inserted, but, as Ms. Weiner said, "it's a crazy process.
"Once we start editing during the run of the show, it's 14 hours a day, probably, at least," she added. "We're usually at work until 1:30 a.m., but it's not unusual to be there at 3 a.m."
The payoff is a program that is must-see television, for hockey fans and beyond. After all, it's not reality TV, it's HBO.
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